Graduate musicology topics essay

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The vast majority of major musicologists and music historians from past generations have been men, as in the 19th century and early 20th century, women's involvement in teaching music was mainly in elementary and secondary music teaching . [14] Nevertheless, some women musicologists have reached the top ranks of the profession. Carolyn Abbate (born 1956) is an American musicologist who did her PhD at Princeton University . She has been described by the Harvard Gazette as "one of the world's most accomplished and admired music historians". [15] Susan McClary (born 1946) is a musicologist associated with the " New Musicology " who incorporates feminist music criticism in her work. McClary holds a PhD from Harvard University . One of her best known works is Feminine Endings (1991), which covers musical constructions of gender and sexuality, gendered aspects of traditional music theory, gendered sexuality in musical narrative, music as a gendered discourse and issues affecting women musicians. In the book, McClary suggests that the sonata form (used in symphonies and string quartets) may be a sexist or misogynistic procedure that constructs gender and sexual identity. McClary's Conventional Wisdom (2000) argues that the traditional musicological assumption of the existence of "purely musical" elements, divorced from culture and meaning, the social and the body, is a conceit used to veil the social and political imperatives of the worldview that produces the classical canon most prized by supposedly objective musicologists.

Graduate musicology topics essay

graduate musicology topics essay

The vast majority of major musicologists and music historians from past generations have been men, as in the 19th century and early 20th century, women's involvement in teaching music was mainly in elementary and secondary music teaching . [14] Nevertheless, some women musicologists have reached the top ranks of the profession. Carolyn Abbate (born 1956) is an American musicologist who did her PhD at Princeton University . She has been described by the Harvard Gazette as "one of the world's most accomplished and admired music historians". [15] Susan McClary (born 1946) is a musicologist associated with the " New Musicology " who incorporates feminist music criticism in her work. McClary holds a PhD from Harvard University . One of her best known works is Feminine Endings (1991), which covers musical constructions of gender and sexuality, gendered aspects of traditional music theory, gendered sexuality in musical narrative, music as a gendered discourse and issues affecting women musicians. In the book, McClary suggests that the sonata form (used in symphonies and string quartets) may be a sexist or misogynistic procedure that constructs gender and sexual identity. McClary's Conventional Wisdom (2000) argues that the traditional musicological assumption of the existence of "purely musical" elements, divorced from culture and meaning, the social and the body, is a conceit used to veil the social and political imperatives of the worldview that produces the classical canon most prized by supposedly objective musicologists.

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