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Sadeq Rahimi has noted a common relationship between the uncanny and direct or metaphorical visual references, which he explains in terms of basic processes of ego development, specifically as developed by Jacques Lacan 's theory of the mirror stage . Rahimi presents a wide range of evidence from various contexts to demonstrate how uncanny experiences are typically associated with themes and metaphors of vision, blindness, mirrors and other optical tropes. He also presents historical evidence showing strong presence of ocular and specular themes and associations in the literary and psychological tradition out of which the notion of ‘the uncanny’ emerged. According to Rahimi, instances of the uncanny like doppelgangers , ghosts , Déjà vu , alter egos , self-alienations and split personhoods, phantoms, twins , living dolls, etc. share two important features: that they are closely tied with visual tropes, and that they are variations on the theme of doubling of the ego. 
In October 1859, the family moved to Leipzig, where they stayed briefly before moving to Vienna in the spring of 1860. There, they lived in a small house in the Leopoldstadt, a mostly Jewish area of the city. In the course of the next six years, Freud's parents were kind enough to provide him with new playmates–and rivals. Regine Debora Freud (Rosa) was born in March 1860; Maria ("Mitzi") in March 1961; Esther Adolfine (Dolfi) in July 1962; Pauline Regine (Paula) in May 1864; and Alexander, Freud's only brother and frequent traveling companion, in April 1866. Despite the sudden crowding of the house, and of Freud's earlier fears of being replaced in his mother's affections by Julius, Freud remained the family favorite.