Below, I’ve separated my findings into four lists: the most anthologized essays (this should be self-explanatory), the most anthologized essayists (the authors with the most essays total across the anthologies), the most widely anthologized essayists (the authors with the most discrete essays across the anthologies), and the one hit wonders (those essays that were their authors only piece represented across the anthologies, albeit multiple times). At the end, there’s the full list, consisting of all duplicated essays and all essayists who had at least three pieces among the books I surveyed.
Actually just looked up semi-auto shotgun prices in the US and a more accurate estimate of the price of Reaper’s guns would actuallu be in the ronage of $1000-$1500 dillars each (I had remmington price estimates in my head before then which are nowhere close to what he’s actually using). This means every game round he is throwing away 50 to 75 grand and at least $100,000 worth of guns every game (assuming each game is only two rounds) or possibly as much as $225,000. Per game. That means in ten games he is throwing away at the bare minimum $1,000,000 and quite possibly twice as much. If say, Junkrat were to collect these empty guns from the field and sell them he could give a large discount to attract customers and make a huge profit. The only logical way Talon hasn’t gone bankrupt on account of Reaper’s guns is that they probably have an entire team devoted to collecting the discarded shotguns.
Silva doesn’t create work for those who go to museums, because that can be limiting and it can exclude different groups of people. His work heavily focuses on the cultural identity of the Latino community, which is oftentimes erased. “And then when you add being queer to that, we can really disappear,” he stated. “But I also think that the ‘positive image’ strategy can be a trap, and as an artist, I feel responsible for showing art that is not only beautiful, but more importantly, it should be truthful.”